{"id":858,"date":"2019-08-18T18:21:03","date_gmt":"2019-08-18T16:21:03","guid":{"rendered":"http:\/\/www.silviagranata.it\/?p=858"},"modified":"2019-08-18T18:25:00","modified_gmt":"2019-08-18T16:25:00","slug":"clay-collective-simposio-ceramico-internazionale-toscana-agosto-2019","status":"publish","type":"post","link":"https:\/\/www.silviagranata.it\/en\/clay-collective-simposio-ceramico-internazionale-toscana-agosto-2019\/","title":{"rendered":"Clay Collective, International Ceramic Art Symposium, Tuscany, Italy, August 2019"},"content":{"rendered":"<p>Clay collective \u2013 International ceramic symposium<br \/>\nAt \u201cLa Casina\u201d in Figline and Incisa Valdarno (Province of Florence), 3 \u2013 11 August 2019<br \/>\nDialogue and constructive exchange between professionals are necessary elements for the success of a<br \/>\nsymposium; the term originally also referred to convivial and conversation moments in which to give space<br \/>\nto the debate. With these premises, a group of ceramic artists has planned a real symposium, sharing the<br \/>\ndesire to experiment with clay-mediated contemporary art.<br \/>\nThe idea, cradled for years by Karin Putsch-Grassi, a German-Italian ceramist trained in London and long<br \/>\nresiding in Tuscany, has become a reality; the purchase and renovation of an eighteenth-century farmhouse<br \/>\ncalled &#8220;La Casina&#8221; in the Leopoldino land registry, went hand in hand with the desire to actively confront<br \/>\nother ceramists. Other promoters of the initiative areEvandro Gabrieli, Roman ceramist, creator and organizer of many collective initiatives, and<br \/>\nSilvia Granata, from Cesena who won awards in numerousinternational ceramic competitions. After years of meetings on various occasions, with a frenetic personal activity full of satisfaction in Italy and abroad, the group has identified a new possibility for artistic growth in<br \/>\nthe form of the symposium. The invitation was therefore extended to other artists such as:<br \/>\nHelene Kirchmair,Laura Scopa and Antonio Taschini. Each artist brings very different knowledge and<br \/>\nexperience, refined over the years both on a technical and stylistic level. Identities that are highly<br \/>\nrecognizable, but equally motivated to engage in dialogue and capture interesting ideas in the work of others<br \/>\nand, perhaps, future possible collaborations.<br \/>\nThe initiative, unlike other international symposia supported by institutional bodies, was born and developed<br \/>\namong professional ceramists; however, a time of opening to the public is foreseen in which you can preview<br \/>\nthe work done. Among other purposes, the symposium intends to be a stimulus for sharing best practices. For<br \/>\nthis reason the group has decided to address the work in residence towards modular forms; the single parts<br \/>\nideally assembled will constitute a large installation adaptable to future display situations.<br \/>\nPreliminary to work in residence, each participating artist was asked to deal with a single work, one of the<br \/>\nmodules identified as a unit of collective work. The comparison between the expressive registers of each one<br \/>\nwill be the vital spark for the interaction between the artists; during the residency period, participants will<br \/>\nhave the opportunity to work effectively in work pairs. Another technical characteristic chosen by the<br \/>\nparticipants is to work with a single type of high temperature clay, possibly decorated with engobes and<br \/>\nglazes.<br \/>\nDuring the period of cohabitation, moments of presentation of the individual works are planned in order to<br \/>\nmake the individual artistic instances more comprehensively understood.<br \/>\nThe symposium to be held from<br \/>\n3 to 11 August 2019<br \/>\nat &#8220;La Casina&#8221; in Figline and Incisa Valdarno, is the<br \/>\nfirst event hosted in the new artistic space inserted in the Chianti hills. The recently restored rustic<br \/>\nenvironment has been redesigned to accommodate groups of artists who want to develop and explore artistic<br \/>\nthemes of all kinds.<br \/>\n&#8212;<br \/>\nBiographies:<br \/>\nEvandro Gabrieli (Roma, 1974) &gt;<br \/>\nhttps:\/\/www.evandroceramiche.com\/<br \/>\nSilvia Granata (Cesena, 1970) &gt;<br \/>\nhttp:\/\/www.silviagranata.it\/<br \/>\nHelene Kirchmair (Hall in Tirol &#8211; A, 1981) &gt;<br \/>\nhttp:\/\/www.helene-kirchmair.com\/wp\/<br \/>\nKarin Putsch-Grassi (Wuppertal &#8211; D, 1960) &gt;<br \/>\nhttp:\/\/www.putsch-grassi.it\/<br \/>\nLaura Scopa (Urbino, 1978) &gt;<br \/>\nhttps:\/\/www.formeattuali.it\/<br \/>\nAntonio Taschini (Roma, 1967) &gt;<br \/>\nhttp:\/\/www.antoniotaschini.it\/<br \/>\n&#8212;<br \/>\nClay Collective open day: saturday 10 August 2019, h. 16-20<br \/>\n&#8212;<br \/>\nPress-office:<br \/>\nLampi Creativi<\/p>","protected":false},"excerpt":{"rendered":"<p>Clay collective \u2013 International ceramic symposium At \u201cLa Casina\u201d in Figline and Incisa Valdarno (Province of Florence), 3 \u2013 11 August 2019 Dialogue and constructive exchange between professionals are necessary elements for the success of a symposium; the term originally also referred to convivial and conversation moments in which to give space to the debate. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":849,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/posts\/858"}],"collection":[{"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/comments?post=858"}],"version-history":[{"count":7,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/posts\/858\/revisions"}],"predecessor-version":[{"id":863,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/posts\/858\/revisions\/863"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/media\/849"}],"wp:attachment":[{"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/media?parent=858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/categories?post=858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.silviagranata.it\/en\/wp-json\/wp\/v2\/tags?post=858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}